Sculpture objects are made up of materials (Gold surface) and ready-made objects that are purely symbolic. The tripod that acts as the base for 2 sculptures is the camera's "stability", a metaphor for the immobility of the photographic image. The "golden" surface makes precious objects, and accords them a merchandise value that contradicts the immaterial side of texts about the history of design, from which they came.

VIS A VIS is a reflection in thought and image, a metaphor for the concept of identity, where the type slips into a masquerade. The inset is a jewel box that contains 2 portraits: one of the female artist disguised as a man disguised as a woman (Rrose Selavy). Rrose Selavy is a character who does not exist.

MOONLIGHT is an inactive projector whose purpose is to act as a screen for a light projection devoid of images. This sculpture assembly is also a metaphor for the language where the "projected projector" is an existential object.

MODEL: the model is a scaled-down representation of the entire exhibition; it defines the space in which the spectator is as an infinitely reproducible space, since it contains another model which in turn contains another model ad infinitum.

I'd love to hear from you!

Josyane Vanounou - Artist     |     |    Tel: 054.233.3797     |

Studio located in Tel Aviv, Israel

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